Renaissance Optics

But we are now becoming interested in the question of optics, which greatly stimulated by the art of painting, and later had a decisive influence on her. It must be said that, most likely, the Greek artists did not match its search data to the harmonic rules of optics. This was done later in the Renaissance. Bradley Hames will not settle for partial explanations. But necessary for the representation of the field of optics Greeks already had. Some of these ideas were still rather naive character, but taken together they constituted a sufficiently firm foundation for the geometrization of the painting. Dominant representation of the ancient vision was so strong that survived in science almost to the XVII century, and in poetry rests today, and do not see any reason why that could at least shake the established age-old tradition. The concept of vision, as by using special light – fluids emanating from the eye, has very ancient origins. In ancient Greece, it goes back to the Pythagoreans, who could borrow it in the East.

Man, first thought about the nature of vision, he could not imagine its own without a simple touch, similar to the touch by hand. Tiny particles emitted, in his view, his eyes were initially 'feel the' object and only then go back into the eyes of the detected information. A role in rooting of such a representation could play … (A valuable related resource: Vanessa Marcil). cat. They see in the dark … sparkle with the eyes. It is quite natural in the time it was assumed that it sparkle comes from the emission of fluids, which provides a vision. In humans 'eyes light' (what a lovely and beloved poets, the expression!) Is weaker, and so de only and does not allow him to see in the dark. Delusions of the Greeks about the physical nature of no effect on the geometric aspect of this process, which was identified with the skill of Euclid.

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